Text to Text Guy de Maupassant’s ‘The Necklace’ and ‘Guerrilla Fashion: The Story of Supreme’Supreme is a fashion clothing brand that prides itself on the scarcity of its stock and the discomfort of its shopping experience within its store. Supreme’s limited- run clothes are sold in intimidating environments where customers feel acutely aware of being scrutinized, and from resellers who charge upward of six times the original price for an item. The limited quantity of the goods and time- targeted releases, or “drops,” add a level of frenzied excitement for buyers. Supreme’s casual disregard for appealing to mainstream tastemakers only strengthens its appeal. By a cultish exclusivity, the clothes become highly coveted, and take on symbolic roles of rarity and prestige.

Have students read both “The Necklace,” as well as The Times’s “Guerrilla Fashion: The Story of Supreme.” Then, prompt students to answer the questions below, which first address each text individually, and then address shared concerns between the texts._________Key Questions: • Does presumed rarity and luxury give material things transformative power? If so, does celebrity brand or buy- in increase that power? How?• Is the nature of one’s “high- class” status subjective? Explain how, if so, and why not, if not._________Activity Sheets: As students read and discuss, they might take notes using one or more of the three graphic organizers (PDFs) we have created for our Text to Text feature, which matches often- taught texts with Times articles and other content.• Comparing Two or More Texts• Double- Entry Chart for Close Reading• Document Analysis Questions_________Text 1: Excerpt from Guy de Maupassant’s short story “The Necklace” (1. It begins: Photo.

Guy de Maupaussant’s short story “The Necklace,” (French La Parure) on the cover of Gil Blas, a Parisian literary periodical, October 1. She was one of those pretty and charming girls, born by a blunder of destiny in a family of employees. She had no dowry, no expectations, no means of being known, understood, loved, married by a man rich and distinguished; and she let them make a match for her with a little clerk in the Department of Education. She was simple since she could not be adorned; but she was unhappy as though kept out of her own class; for women have no caste and no descent, their beauty, their grace, and their charm serving them instead of birth and fortune. Their native keenness, their instinctive elegance, their flexibility of mind, are their only hierarchy; and these make the daughters of the people the equals of the most lofty dames. She suffered intensely, feeling herself born for every delicacy and every luxury.

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She suffered from the poverty of her dwelling, from the worn walls, the abraded chairs, the ugliness of the stuffs. All these things, which another woman of her caste would not even have noticed, tortured her and made her indignant. The sight of the little girl from Brittany who did her humble housework awoke in her desolated regrets and distracted dreams. Watch Me Again Full Movie more.

She let her mind dwell on the quiet vestibules, hung with Oriental tapestries, lighted by tall lamps of bronze, and on the two tall footmen in knee breeches who dozed in the large armchairs, made drowsy by the heat of the furnace. She let her mind dwell on the large parlors, decked with old silk, with their delicate furniture, supporting precious bric- a- brac, and on the coquettish little rooms, perfumed, prepared for the 5 o’clock chat with the most intimate friends, men well known and sought after, whose attentions all women envied and desired. When she sat down to dine, before a tablecloth three days old, in front of her husband, who lifted the cover of the tureen, declaring with an air of satisfaction, “Ah, the good pot- au- feu. I don’t know anything better than that,” she was thinking of delicate repasts, with glittering silver, with tapestries peopling the walls with ancient figures and with strange birds in a fairylike forest; she was thinking of exquisite dishes, served in marvelous platters, of compliment whispered and heard with a sphinx- like smile, while she was eating the rosy flesh of a trout or the wings of a quail. She had no dresses, no jewelry, nothing. And she loved nothing else; she felt herself made for that only. She would so much have liked to please, to be envied, to be seductive and sought after._________Text 2: Excerpt from the 2.

Times article “Guerrilla Fashion: The Story of Supreme”: Photo. Supreme. For much of its 1.

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Supreme was confined to the in- crowd, a scruffy clubhouse for a select crew of blunt- puffing skate urchins, graffiti artists, underground filmmakers and rappers.“It is a little club, a secret society,” said Tyler, the Creator, the rapper with the group Odd Future, who showed up at last year’s MTV Video Music Awards decked out in Supreme. Word, though, is getting out. Once dismissed as skate- wear by fashion people, Supreme has been embraced by a new global tribe eager to crack its code. Huge lines, once endemic to its New York flagship in So. Ho, now form at satellite stores in Los Angeles, London, Tokyo and other cities. The current issue of British GQ Style, a men’s fashion bible, hails Supreme as “the coolest streetwear brand in the world right now.” And the Berlin culture magazine O3.

Holy Grail of high youth street culture.” The Business of Fashion site called it “the Chanel of downtown streetwear.”On the red carpet, Supreme has become a certifiable thing for rappers and pop stars. At the recent Paris Fashion Week, Kanye West arrived at the Céline show wearing a green- camouflage pullover field jacket by Supreme. In September, Frank Ocean performed on “Saturday Night Live” wearing a Supreme hockey jersey adorned with a Southwestern- style thunderbird.

For any other brand, such sightings would be considered a P. R. coup. But they are beside the point for Supreme, which is so fiercely protective of its anarchic downtown heritage that it would rather be ignored by the masses than misunderstood.“Most businesses just have a goal of getting as big as possible,” said Glenn O’Brien, the style writer.

But Supreme does not “try to be in every department store in the world,” preferring instead to stay underground and boutique.“Supreme is a company that refuses to sell out,” he said. Supreme is also a company that plays hard to get. That uncompromising spirit starts with the stores themselves. Opened in 1. 99. 4 by its press- shy founder, James Jebbia, the Lafayette Street store pioneered an art- gallery- cum- storage- facility chic, with its white walls and plywood shelving. The Container Store this was not.

The retail experience — from the Bad Brains blaring overhead, to the store clerks who sized up visitors with blank stares — could be forbidding. Shoppers could look but not touch, especially during the early days, recalled Aaron Bondaroff, a founder of Ohwow gallery who worked at the shop in the 1.

Anyone who mussed the folded T- shirts could expect a scolding. The subtext was clear: One had to earn the right to shop there._________For Writing and Discussion: 1. Do you think the actual value of “The Necklace” in question matters? Was it the necklace, and its presumed value, that allowed Mathilde to metamorphose at the ball? What was the necklace’s “value,” in your opinion? Do you think Mathilde’s brief respite from her life of normalcy was, or could have been, beneficial?

Why or why not? 3. How would you describe Supreme’s marketing strategy?

How does it relate to the process of acquiring items? Is it hard or easy to do so? Why or why not? 4. Do you think the limited runs of clothing, store atmosphere, and long lines for “drops” make Supreme more desirable?

Why or why not? 5. What has changed since Mathilde’s day in terms of clothing and exclusivity? What’s more important for clothing — their practical use (in other words, clothes to keep you warm or cool) or their role in broadcasting a message or belief a person wishes others to know?