'King Arthur: Legend of the Sword,' Guy Ritchie's violent, unsentimental take on the beloved British tale, stars Charlie Hunnam, Jude Law and Eric Bana. Full Movie!! Watch King Arthur: Legend of the Sword Online Free Streaming. Watch King Arthur: Legend of the Sword Full Movie Online Free Streaming In HD Quality.

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Charlie Hunnam in King Arthur: Legend of the Sword. Warner Bros. The last time King Arthur pulled the sword from the stone, it was 2. Clive Owen and strode grimly through a dour, unenchanted Britain and just sort of picked it up. This time, in Guy Ritchie’s King Arthur: Legend of the Sword, the son of Uther Pendragon resembles lunky blond Charlie Hunnam, of Sons of Anarchy. Magic—mostly of the video game “mages and creatures” variety—is everywhere. Artie’s spent his youth in a brothel getting punched by johns, training in martial arts, and running a small racket with his lowlife Londinium pals.

· Guy Ritchie's new sword and sorcery movie is a lot of strange (if uneven) fun, as we explore in our King Arthur review. Walt Disney always seemed to be on the lookout for the next big thing. Early in his career, animation appealed to his pioneer spirit. Then animated features. Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his.

He’s a nice dude—funny, charming, with a waggish gleam in his eye and the endearing blend of humility and cockiness that can recommend certain meatheads. He approaches Excalibur. It is embedded deep in a rock shaped like his slain father, Eric Bana. In fact, the rock is Uther, murdered by his brother Vortigern, a deliciously campy villain known elsewhere as the Young Pope.) Arthur touches the hilt, and the inscriptions along the blade glow; when he lifts Excalibur from the stone, the ground convulses, the pit bulls owned by the evil king’s guard gnash their jaws, there is (if I’m remembering right) a literal guitar solo, and somewhere a lion is roaring. That is essentially all you need to know about Ritchie’s approach to the once and future king: It is almost entirely brainless. It is totally enjoyable. It subscribes in full to words uttered by a different legendary royal right before the party started: “Don’t worry … I only want you to have some fun.”Katy Waldman.

Katy Waldman is a Slate staff writer. This undemanding friendliness ends up defining the film, though Ritchie tries to inject some edge via jumpy camera work and gutsy anachronisms. Just do your fucking job,” Vortigern hisses to a minion at one point.) One highlight is the montage that whirls us through Arthur’s formative years. An overcaffeinated blur of beat downs, japes, quips, and glistening muscles, it does more to develop this young rogue’s character (and leading man bona fides) than the rest of the film combined.

Elsewhere, the crowd- pleasing effects come fast and furious: Huge CGI wizard elephants, huge CGI serpents, huge CGI wolves, and huge CGI bats (to the point where you might wonder whether you’ve actually walked into Honey, I Blew Up the Zoo) occasion a bunch of flashy battles set to Celtic- flavored rock anthems. Vortigern turns to a three- torsoed kraken composed of naked women and tentacles to acquire more power. Meanwhile, Arthur and his merry crew are aided by the Mage (Àstrid Bergès- Frisbey), who can project her mind into the bodies of eagles. Don’t worry about the plot. Vortigern is a tyrannical liege who monologues about the pleasures of being feared. Watch The Evil That Men Do Streaming. His cronies give Nazi salutes.

At one point, he rears up on a horse as a village blazes around him and screams, “We will crush the resistance tonight!” Then there are the interchangeable goodhearted guttersnipes and stoic advisers (Kingsley Ben- Adir, Aidan Gillen, Djimon Hounsou) who will later populate the Round Table. There may be some message here about aristocratic elitism versus salt- of- the- earth populism but probably not.) Anyway, Arthur frees the sword, but then resists the sword, but then accepts the sword; Vortigern, who wants him dead, draws him into a series of battles that culminate in a Jungian boss fight on some fantasy level encircled by crashing waves. Something something Joseph Campbell here? Probably not.) It is never entirely clear why anyone is performing any particular action. A large chunk of the movie follows Arthur to the Underworld simply so that he can get his passport stamped. But Ritchie has gleefully set his timeworn characters in an environment where narrative logic has no purchase. One name for this environment is subconsciousdreamscape.

Another is mosh pit. Fans of the traditional Arthurian story may be disappointed.

According to Slashfilm, Ritchie plans to expand. Legend of the Sword into a six- part franchise, which could explain the absence of key characters like Gawain, Merlin, Guinevere, Kay, and Lancelot. We do meet Bedivere and Tristan, alongside new faces Wet Stick and Back Lack.) And temperamentally, the Arthur that Ritchie and his co- writers Lionel Wigram and Joby Harold have conjured is no more a creature of mannered, courtly Sir Thomas Malory than is one of the gangsters from Lock, Stock and Two Smoking Barrels. Ritchie, of course, loves to drag a high literary icon into the gutter. Two of his previous films starred Robert Downey Jr.

Film Review: 'King Arthur: Legend of the Sword' Reviewed at Warner Bros. Studios, Los Angeles, May 8, 2017. MPAA Rating: PG-13. Running time: 126 MIN.

Sherlock Holmes. Join Slate’s Sam Adams and leading culture critics as they watch and review some of the best conspiracy thrillers of the past decades, from The Manchurian Candidate to Get Out. As for the women of pre- Camelot, they mostly exist to be killed in dramatic ways that galvanize male revenge and resolve. The exceptions are the sex squid and the hot sorceress.) It is annoying until you realize that the men don’t have personalities either; indeed, they get dispatched more casually, if less glamorously, than their corseted counterparts. As a general rule, anyone troubled by the patronizing notion that women are pure and helpless and in need of protection should probably avoid the Arthurian legend more broadly. Still, it is worth noting that Legend of the Sword inadvertently exposes the dark side of chivalry: Arthur’s female friends at the brothel and in the castle are not just condescended to.

They are idealized and objectified; then, they are destroyed. Even their deaths become instrumental. But let’s not kill the vibe at this party. King Arthur wants desperately to please, and it mostly succeeds. The hero’s catchphrase is even “Why have enemies when you can have friends?”) Toward the end of the movie, a group of newly minted knights gather ’round to inspect a piece of furniture their leader is assembling. Is it a wheel of cheese? A dance floor?  “It’s a table,” Arthur replies, with a mysterious smile.

In that moment, reader, I swear I knew exactly what he was thinking. This will be perfect for beer pong.

King Arthur: Legend of the Sword' Review. There's the heroic King Arthur of ancient legend, the romantic King Arthur of Chretien de Troyes, Malory, Tennyson and the pre- Raphaelites, and the mid- 2. King Arthur of The Once and Future King, Camelot and The Sword and the Stone. And now there's Guy Ritchie's King Arthur, who is — what else? Londinium who, Excalibur in hand and muscled miscreants at his side, battles his way back to his birthright as royal leader. Heavily indebted to Game of Thrones in its R- rated approach to fantastical doings and impressively mounted as such, King Arthur: Legend of the Sword — a thunderous, bloody and bludgeoning spectacle — could well be the Arthur today's world audience wants. Brrip.W-Atch All Unexpected Full Movie English Here! more. Loud, bombastic and thuddingly obvious, this is a vulgar movie for vulgar times.

Such synchronicity alone makes it worthy of cultural consideration of a certain kind. But it also can't be denied that Ritchie, who hasn't been deemed a director of creative interest since his early Lock, Stock..

Snatch days, and certainly least of all for his hugely lucrative Sherlock Holmes entries, does pull off some quick- witted and clever sequences here; he doesn't want to bore or approach narrative conventionally, so he's found ways of conveying a good deal of information very quickly, taking an aggressive approach to supplying backstory and never ever slipping into solemnity or sanctimony. There is not even an ounce of sentiment here, no romance, no Guinevere or Lancelot, nary a thought of “happy- ever- after” or the magical/mystical days of the pre- historic Britain of legend. Like it or not, there's a view here of olden times that, in placing pre- eminent importance on ruthless brutality and eliminating the more tender emotions altogether, could arguably be called just as valid as the noble sentiments of high- minded knights, such as have been sold to millions of youngsters over the decades and centuries. This is a Britain born of mud and blood, not of gallantry and lofty ideals. Watch The International 4Shared. Game of Thrones has its giant flying dragons, while King Arthur features the biggest elephants you've ever seen, beasts at least sizable enough to qualify for Warner Bros.' next Kong outing. The music pounds away as deafeningly as the big tuskers' feet hit the ground and, without preliminaries, the film plunges into the middle of a monstrously destructive battle that sees the treacherous Vortigern (Jude Law) seize the crown from his older brother Uther (Eric Bana), who spirits his wife and young son away before it's too late.

Where is the last place you'd expect to see the once and future king grow up? A brothel, perhaps? Well, that's where Ritchie and his four script and story writers have put him. When first met as a young man played by Charlie Hunnam, Arthur runs with some rough lads and considers himself “the bastard son of a prostitute.” But when every man on the island comes to try his luck at pulling Excalibur out of the stone it's stuck in, Arthur balkingly goes along and then promptly succeeds in doing so, albeit passing out in the process.

Vortigern reels Arthur in and does him the service of informing him of his true identity just before putting his brother's head on the block. But the young man has protectors, including a big brown eagle, a weird clairvoyant called The Mage (Astrid Berges- Frisbey), who helps him envision his past and his father's own destiny, and his old mates, who include the brawny Bedivere (Djimon Hounsou) and the brilliant archer Bill, played by none other than Aidan Gillen, otherwise known as Littlefinger from Game of Thrones. There are imaginative narrative touches, including a nifty speculative flash- forward, and the draining from the story of even the slightest trace of a romantic sensibility becomes fascinating to a degree; can an Englishman really make a film about one of the foundational myths of his storied nation without letting slip even a bit of sentiment for it?

Yes he can. From one moment to the next, it's possible to on some level enjoy the shaking up of tired conventions in a swordplay fantasy such as this and then to be dismayed by the lowbrow vulgarity of what's ended up onscreen. The film gives with one hand and takes away with the other, which can be frustrating in what's meant to be entertainment. Hunnam is game for the rugged demands placed upon him and takes the physical punishment administered to him in stride. Playing the figure of unalloyed evil here, Law gives the malice of this man who would be king full rein, while Bana provides convincing contrast as the betrayed brother.

After using visual effects to extensively create huge masses of armies and mayhem, the film suddenly resorts to a herky- jerky video game approach in a climactic stand- off that looks quite lame in contrast to most of the action. Production companies: Weed Road/Safehouse Picture/Ritchie/Wigram. Distribution: Warner Bros. Cast: Charlie Hunnam, Astrid Berges- Frisbey, Djimon Hounsou, Aidan Gillen, Mikael Persbrandt, Jude Law, Eric Bana, Annabelle Wallis, Peter Ferdinando, Kingsley Ben- Adir, Geoff Bell, Freddie Fox, Craig Mc. Ginlay, Lorraine Bruce, Eline Powell, Hermione Corfield. Director: Guy Ritchie. Screenwriters: Joby Harold, Guy Ritchie, Lionel Wigram; story by David Dobkin, Joby Harold.

Producers: Akiva Goldsman, Joby Harold, Tory Tunnell, Steve Clark- Hall, Guy Ritchie, Lionel Wigram. Executive producers: David Dobkin, Bruce Berman, Steven Mnuchin. Director of photography: John Mathieson. Production designer: Gemma Jackson. Costume designer: Annie Symons. Music: Daniel Pemberton. Visual effects supervisor: Nick Davis.

Casting: Reg Poerscout- Edgerton. Rated R, 1. 25 minutes.