All the Details and Secrets We Spotted in the Latest Star Wars: The Last Jedi Footage. D2. 3 is upon us this weekend, and with it, a new behind- the- scenes glimpse at the next chapter in the Star Wars saga. But although the movie didn’t offer us a full trailer, what we did get was still jam- packed with little hints and clues as to what’s to come for Luke, Leia, Rey, Finn, and Poe. The opening salvo of the reel gives us a few intriguing shots of sets, locations, and characters.

The 1/6 scale action figure, which you can get in either “Hannibal the Cannibal” violent murderer configuration or the classic muzzled straightjacket version, was. Underrated, and very dark crime thriller, that I would never have expected from Joel Schumacher, dealing with snuff films. Nicolas Cage is a detective hired to track. Hey, why can't I vote on comments? Cracked only offers comment voting to subscribing members. Subscribers also have access to loads of hidden content.

And they most definitely conquered. The inside story of how a ragtag bunch of hippies made the wildest Texas movie ever (and spilled no more fake blood than was. David stabbed Alex and pinned him to the floorboards beneath him with a knife stuck through his left shoulder. From behind, Juliet fatally stabbed. Silence of the Lambs script at the Internet Movie Script Database. The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs.

There’s a great big rocky set—which we’ll see later is actually home to a massive pool of water—the bridge of a Star Destroyer under construction, huts on Luke’s new home of Ahch- To, and rather spectacularly, Chewbacca getting his hair done. Some very slick looking speeders blanketed by the sun. Judging by some of the things we see later on in this reel, these appear to be for the glitzy streets of Canto Bight, a casino world that both Finn (John Boyega) and new character Rose Tico (Kelly Marie Tran) venture to at some point in the movie.

A poor camera man gets doused in red soil—meaning that this is presumably Crait, the mineral planet from the first trailer and seemingly the site of a really major battle at some point in the film, judging by some of the character’s we’ll later see filming stuff on this new planet. Rey (Daisy Ridley) pops up from behind a camera, giving us a good look at the hairstyle so secret it somehowbecame a months- long Star Wars rumor. Night on Ahch- To.. Luke would maybe invite Chewie to stay in his home, but apparently not, as the Wookiee goes solo camping with the Falcon. When he’s not stealing Poe’s clothes, Finn seems like at some point he’ll be donning a Resistance pilot flight suit. It’s not the orange of Poe and his fellow X- Wing pilots, so maybe Finn suits up to use one of those big gunships we saw in the first trailer’s space battle. One of the most mysterious, intriguing shots of the whole reel is this one we see of General Leia (the late, ever- great Carrie Fisher).

She’s not on a bridge of a Resistance ship as we’ve seen repeatedly already, but instead looking distraught on the grey, cracked surface of a planet. It doesn’t quite look like Crait, and it doesn’t look like what we’ve seen of Ahch- To either, so could it be a new world altogether? Our first look at a pivotal scene that’s presumably from the earliest moments of the film, knowing that it picks up immediately after the end of The Force Awakens: Rey returns the Skywalker family lightsaber to its former owner, Luke (Mark Hamill). Kylo Ren (Adam Driver) goes business formal, keeping the helmet but ditching his pleated robes for a First Order officer’s tunic and a new, totally- trying- to- be- grandpa cloak. In fact, there’s been a rumor that it might literally be Vader’s cloak, so there’s a possibility that poor Ben has gone full cosplay. The location he’s on looks very Death Star, but it’s likely Supreme Leader Snoke’s grand Star Destroyer—referred to in reports as a Mega Destroyer—which we’ve heard is a pivotal location in the film.

Here’s a look at what Kylo’s staring at in the above shot—which definitely looks like a big- ass throne for Snoke to sit in, seemingly confirming this is the Mega Destroyer the First Order’s leader calls home. A reverse look at that big explosion we see Poe (Oscar Isaac) and BB- 8 run to in the first trailer—one that gives us our first really good look at the A- Wings, making their return to the franchise in both original red and Resistance White/Blue flavors. Look at these adorable little space heroes! Sure, it’s an isolated behind- the- scenes shot, but could it imply that all four of our young heroes will be meeting up in the film at some point? We know at the very least a few will, thanks to some later shots in the reel. Our first look at a nasty- looking new weapon for the Stormtroopers (or at least a special version of them, given the new black shoulder pads). Previous reports described this clawed battlestaff as also being electrified, because the big spikey claws didn’t quite look sinister enough as is.

This gorgeous animatronic creature looks a little more The Last Guardian than The Last Jedi. The environment seems to match set pictures from filming for Canto Bight, some of the first pictures ever seen from filming— and the gated, horse- esque creature could be from a stable we recently heard of in a set report that Finn and Rose duck into during an elaborate chase sequence that ends up with them riding this creature, allegedly called a Falthier. Look, I don’t have anything to add here other than HOW COOL DOES THIS ICY WOLF LOOK!? A very tiny Casino staff member on Canto Bight prepares his space- gambling table. The design is very reminiscent of Colonel Gascon from Clone Wars, who was from a diminutive race called the Zilkin.

Our best look yet at Laura Dern’s mysterious new character—Resistance Vice Admiral Amilyn Holdo. She might be sharing a warm greeting with General Organa here, but we’ve heard quite a few reports that she ends up playing a more antagonistic role despite being on the hero’s side. The internet’s boyfriend Poe Dameron takes his seat in a cockpit—one that appears to be a cockpit of one of the Resistance Skimmers we saw gorgeously gliding across Crait’s salted surface in the first trailer. This seemingly innocuous shot of Chewie might come during a jokey sequence from John Boyega mocking director Rian Johnson, but note the environment: he’s on the Resistance ship bridge set we’ve seen Poe, Leia, and Finn all on as well. Given it doesn’t appear that he instantly returns to the Resistance after dropping Rey on Ahch- To, could he have come back with a few more passengers in tow when he eventually does?

We saw the very close- up version of this in the trailer itself, but this wider shot gives us a better look at the fact that Rey is seemingly charging into battle on Ahch- To. Watch Carry On Again Doctor Online Freeform. There’s been a report floating around forever about a major duel on the planet featuring Rey, Luke, Kylo Ren, and the Knights of Ren themselves—could those be the opponents she’s running to meet here? Here’s a really good look at the full extent of the scar Rey gave Kylo Ren during their Force Awakens duel.

You’ll note, as we previously reported, Kylo’s scar has moved a couple inches to the side compared to where Rey actually slashed him—a continuity- bending choice by Rian Johnson because he thought the first scar placement looked goofy. Luke stands tall on Ahch- To, but he’s had a change of clothes from his white robes. We got a brief glimpse of this look at Star Wars Celebration a few months ago, but this our best full look at it. This shot was heavily obscured in the initial trailer, but if you didn’t notice, here’s confirmation that Captain Phasma (Gwendoline Christie) and a bunch of Stormtroopers are responsible for that massive explosion aboard the Resistance ship Poe is on. Note the unfortunate tattered ruins of Black Leader’s X- Wing in the foreground. Speaking of Black Leader, here’s Poe sliding into a trench on what appears to be Crait—could this be earlier in the same sequence we saw at the very start of the reel?

Rose, with a different hairstyle, sits on the landing bay of the Millennium Falcon. You can just make out that she’s been crying, so something pretty bad’s probably happened.. But first, a very quick look at another mysterious new addition to the Star Wars galaxy, played by Benicio Del Toro. We know nothing about this character other than the fact that he was referred to on set as “DJ”.

Silence of the Lambs 2. Oscar film. In memory of today’s passing of a great director, Deadline is rerunning our last story that featured a lengthy interview with Jonathan Demme. Originally published Feb. The Silence of the Lambs. Demme participated and was most generous and reflective on looking back at an unlikely triumph, the rare horror movie from a dying studio that found its way to Oscar gold, winning all the night’s major prizes. EXCLUSIVE: Valentine’s Day marked the 2. The Silence Of The Lambs.

It’s the first and only Best Picture- winning horror film; the last film to win Oscars in the five key categories; and the only modern- era film to win Best Picture despite being released over a year before its Oscar night triumph. The film’s success–five Oscars and $2. Watch Inalienable HD 1080P. Orion, spent nothing an Oscar campaign while Best Picture rivals Beauty And The Beast, Bugsy, JFK and The Prince Of Tides spent lavishly. But long before Silence, Anthony Hopkins, Jodie Foster, Jonathan Demme and Ted Tally won gold, and way before Thomas Harris would sell movie rights to his follow- up novel for a near record $1. TV series, Silence was a film property no studio wanted any part of. Everybody passed on the lurid cannibal serial killer subject matter, and the proud studio that bit was so broke at the end that it dropped the film in February for the cash, seemingly dooming its Oscar chances. Deadline got this trio to reminisce with a lot of untold stories: former Paradigm agent Robert Bookman, who brokered Harris’ book deals (and had a cameo in the film along with former colleague Rick Nicita); Tally, who started writing with notes from Gene Hackman; and Demme, who started his career directing for Roger Corman then rose to classy, edgy hits Something Wild and Married To The Mob, and blended those sensibilities to elevate a genre film into something more.

Related. Directors Guild Hails Jonathan Demme As “Iconic” & “Groundbreaking”WHY STUDIOS DIDN’T DEVOUR THE BOOK RIGHTS LIKE LECTER ON A CENSUS TAKER’S LIVERBOB BOOKMAN: The Thomas Harris book Red Dragon was bought by Warner Bros, put in turnaround, and Dino De Laurentiis picked it up, made Manhunter, and it wasn’t a financial success. When Silence was published, Thomas had the right to sell a one- picture license, but he would have to change character names and places. Nobody was interested, even when it was way up on the bestseller list. I remember hearing that Paramount had negative coverage. I called Ned Tanen and said, ‘I know that you got very negative coverage. I’m not asking you to read the book yourself.

Just give it to another reader whose opinion you really trust and who has a different sensibility. He called me back three days later.

He said, ‘I did what you asked, and the other reader gave it a definite recommend. I’m still not buying it.’ Nobody wanted it. It was a combination of the serial killer aspect of it and the failure of Manhunter.

It reminded of how the science fiction genre was as dead as a door nail…until George Lucas made Star Wars. Then one day my colleague Fred Specktor asks, are the rights still available?

Gene Hackman wants to buy them. Gene called a good friend, Arthur Krim at Orion, and they bought it together, 5. Gene wanted to direct, and play Hannibal Lecter. TED TALLY: I was the first writer on the job. Hackman gave me his approval finally after a lot of discussion.

He didn’t have much input. We only had meetings where I pitched my ideas. It was basically, go write the first draft. We didn’t talk much about it. He hadn’t decided whether he was going to also try to play Lecter, while directing it. He thought he might have to drop back to playing Crawford, the FBI boss.

He did say, maybe Bobby will play Lecter, but I didn’t have the nerve to ask, Bobby who? Bobby Duvall? Bobby Redford? Bobby De Niro? He just assumed that I would know who Bobby was.

And then he quit, while I was writing my first draft. He never called me. I just heard one day from my agent, Gene Hackman’s dropped out of the project. BOOKMAN: I get a call from Fred saying, you won’t believe this. Gene Hackman’s daughter read the book. And she called her father and said, ‘Daddy, you’re not making this movie.’ So, Gene called Arthur, told him what happened.

Arthur said, ‘Don’t worry Gene, I’ll buy out your half.’ That’s how Orion got the rights. TALLY: That was quite a kick in the teeth because at the same time I found out that Orion hadn’t quite signed the book rights either. It was the worst two or three days of my professional life. I was a third of the way in, and I hadn’t been paid. I thought, this thing is going downhill in a hurry. But then I got a reassuring phone call from Mike Medavoy saying don’t worry about it.

Keep writing. We’re going to find the right director for this. Just keep writing. JONATHAN DEMME: God bless Gene Hackman’s daughter, if that’s true, and that’s what I’ve always heard. God bless her. Ted Tally was at work on the screenplay under Hackman’s notes. I had just done two pictures with Orion, Something Wild followed by Married to the Mob. How can I make you understand how incredible it was, working at Orion with Bill Bernstein, Mike Medavoy, Eric Pleskow, and Arthur Krim, these four amazing human beings? The whole Orion zeitgeist, of treating filmmakers as partners, to me it’s inseparable from the success of Silence of the Lambs.

It was Camelot. I had a script I liked, about a road rage victim, where somebody goes ballistic and chases our hero through the rest of the movie. I’d been jones- ing to work with Danny Glover and I wanted to do a thriller. I gave Mike Medavoy the script. Mike called the next day and said, ‘Jonathan, this is a good script and we love Danny. We’ll go with this, but I want you to read something before we commit to this picture.’ He sent me the book, The Silence of the Lambs.

It was all there. This brilliant novelist Thomas Harris, at the peak of his powers, telling this classic American story, with this great leading woman part. I was like, ‘Oh my God, yes.’ I just knew it could be scary as hell, an incredible picture. Ted Tally did a remarkable job on the screenplay. But every night we were shooting, I’d study the scene for tomorrow, and I’d also go back to the book and read what Harris had written, all the levels that were going on there. I’d arrive on the set just tremendously fortified, from the Harris point of view and the terrific Ted Tally script.

BOOKMAN: I don’t remember the exact deal, maybe $1 million. There was still the issue of Hannibal Lecter and Dino De Laurentiis. They tried to come up with alternate names, but nobody could think of a better one. I get a call. Would you mind asking Dino for the right to use the name? In my opinion, if it had been a studio, they would’ve told me to stick it where the sun doesn’t shine. But Dino’s a dealmaker and he says, no problem. He got some rights out of it, but I can’t imagine that movie without Hannibal Lecter.

If it had been another name, the franchise would not have had the same value. Dino was smart, and he was able to exploit that in the sequel, when Thomas Harris finally wrote it ten years later.

I recall Orion wanted Jodie Foster, but Jonathan was intrigued by Michelle Pfeiffer after Married To The Mob. TALLY: Jodie was always in my mind. It was a no- brainer. She had just won an Academy Award for The Accused. She was the right age for the character.

She had the right intelligence to play somebody like that.